Yep, that's right I had to come up with a second story! Yikes. This time was even harder than the first because the title (my own assignment so I couldn't even blame anyone else) was Writing to Heal. Just exactly how does one go about using writing to heal? I've used journaling as part of my own healing process for decades, but I wanted to illustrate how penning a story and sharing it with others can be beneficial as well.
The inspiration for this piece came from several sources besides myself - a young man whose partner had died of AIDS, some close friends who are superb storytellers, and a casual acquaintance who mentioned that he found just listening to how others come to terms with their lives felt healing to him. "The healing doesn't have to be earth shattering," he said. "It just has to touch me."
And so I came up with something that touched me and allowed me to share some of the marvelous poetry produced by my friends. I hope you enjoy it as well. Remember, to read the complete story, stop over at The Virtual Worlds Story Project: http://www.tvwsp.com/jenaiamorane.html.
Writing to Heal
Today I’d like to talk about how writing – specifically how writing stories – can be healing. We all know how powerful words can be, especially when they are condensed and distilled into a few lines or phrases that capture a deeply felt conviction or truth, such as the one expressed in the final stanza of William Stafford’s poem “A Ritual to Read to Each Other:"
“For it is important that awake people be awake,
or a breaking line may discourage them back to sleep;
the signals we give – yes or no, or maybe –
should be clear: the darkness around us is deep.”
But stories take the power of words even further. By their very nature, structure, and intent they are designed to take us on a journey of discovery that culminates in new understanding. The classic example of this is Star Wars, in which a Jedi knight turns to the “dark side.” His resulting struggle with his inner demons and those fighting on the side of “good” illustrate beautifully how a story can embody and illustrate lessons that face and preoccupy a whole nation or culture. And of course the choice the fallen knight makes in the end – sacrificing his own life to save the life of his son – is the classic hero’s journey.
Which brings me to another point about stories. Whether we write them down or not, each of us is writing stories all the time. In a very real sense, we are actors and actresses in the plays of our lives. Who and what we bring into our lives, and more importantly what we tell ourselves about what we bring, shapes our experiences and determines what we learn.
Writing down and telling your stories:
a) allows you to step back and see the whole saga from start to finish
b) helps you make sense of what happened and why
c) allows to you to see themes, patterns, mindsets, and assumptions that shaped how the story unfolded
d) lets you share and get feedback from others
The trick of course is to realize that you are not just a character in your story, but the writer as well.
To understand how a story can heal, it helps to understand how a story works. Because we all grow up hearing stories, and because they come naturally to us, we seldom think about how they are structured.
Basically, a story can be broken into FOUR parts:
1) The Beginning or Initiating Event
All stories are triggered by something – an event, an idea, a decision, an illness – that prompts the main character (the hero or heroine) to embark on a journey of change. The journey is necessary to resolve the questions and tensions set in motion by the event.
A classic example is the middle-aged man who wakes up one day and realizes that he has been so busy climbing the corporate ladder and raising his family that he has neglected to do some things for himself. This realization prompts him to question his priorities, to make shift gears and turn his attention to other interests – to begin to see his life in a different way.
Not surprisingly, this causes tension in his life – in the workplace, between himself and his spouse, within himself. Which brings us to Part 2.
2) The Struggle
In order to resolve the conflict, the hero or heroine must go through a series of steps or stages along the journey. Typically these steps result in increasing tension as it becomes clear that change will be necessary.
3) The High Point or Climax
The moment when the tension reaches a peak and the main character is forced to change in some way. Note that the change is not always a good one. Happy endings are by no means assured.
4) The Conclusion or Resolution
Following the climax, readers need to know how the hero or heroine came to terms with the change and what was learned. This is done in the conclusion or resolution.
Today’s story is one that was told to me by a young man here in Second Life. I will be telling it using not only my own words, but the words of other writers here in Second Life as well.
Though none of the writers (except myself) who contributed their pieces to this story know the young man in question, each has captured some aspect of what he described to me beautifully – proving once again that we all share and are working on common themes in our lives. I’ve entitled this story, “It Should Have Been Me.”
Once upon a time, in a land that was neither here nor there but everywhere imagination and creativity thrived, two avatars named Jen and Trooper formed an uneasy alliance.
Jen and Trooper’s first meeting wasn’t really a meeting at all. Jen was participating in the World AIDS Day events being held on Karuna – the new island in Second Life devoted to HIV/AIDS education, support, and the collection of stories related to HIV/AIDS.
Jen first noticed Trooper sitting in the audience as she was speaking. Bare-chested and buff, with tattoos up and down both arms and a leather collar around his neck, he was sitting alone on one side of the auditorium. Jen was curious but too busy to do more than note his presence.
Later, when Trooper participated in each of the tours she gave of the island, walking a few meters behind the rest of the group, she wondered again about who he was. But it was only when she saw him for a third time at the flame lighting ceremony that she took the time to check his profile.
Beyond making it clear that he was openly gay and collared by his partner, there weren’t many clues. Still Jen had the distinct impression that he was hurting and that he would touch her life somehow. This impression is expressed perfectly by Verde Otaared’s poem, Earthquake:
My life is going to change again
I know it
And my mind knows it
Of course
A change like so many before
Another day
A sunrise
A rainstorm
A scar
Or, perhaps,
A caress
She knows it
Sees it for what it is
Another event
Life experience
Nothing less
Nothing more
My life is going to change again
I feel it
And my heart feels it
A small
Tremor, and a deep panic
Tells that another change
A crashing
A shaking
A destroying
Earthquake
Will blow apart
This small, tidy pile
She has made
From the shattered
Fragments
Left after
The change before.
Screwing up her courage, because after all one doesn’t want to intrude on a person’s pain, Jen sent an IM to Trooper asking simply, “Is there anything I can do?”
After a long pause he replied, “No, not really,” and teleported away.
That night, Jen dreamed a long, convoluted dream about a man she’d loved and lost, waking with a heavy heart and the lines an old blog post she’d written running through her mind. Rereading that post brought Trooper to mind, and Jen wondered again what kind of hurricane had flattened his life.
Later that day Trooper reappeared. Jen was working on Karuna, loading pictures into the viewer at Memorial Falls. As before he was silent, standing a few feet away and watching as the photos in the viewer changed from face to face. When a picture of a curly-haired blonde man with an enormous smile appeared, Trooper finally spoke.
“Who is that?” he asked.
“That’s Paul,” Jen replied. “His sister gave us that picture. It was taken right after he went bungy jumping.”
“Ahhh…..J” Trooper smiled. “Trevor would have loved that.”
“Trevor?”
“My partner who died of AIDS.”
Another long silence fell. “I’m really sorry Trooper,” said Jen.
“Yeah, me too,” he said.
“If you ever want to talk just let me know.”
“Thanks,” he said, and abruptly disappeared again.
It was full week before Jen saw Trooper again. This time she was sitting at the campfire putting stories into the flowers in the Story Field when he appeared.
“Hi Trooper,” she said.
“Hi,” he said, sitting down on one of the stumps. “Remember last week you said if I ever wanted to talk…..?”
“Sure,” she replied. “Anytime.”
“Well if you don’t mind…”
For a long moment they sat quietly. Then Trooper typed, “It should have been me.”
What?! No! Why do you say that
Trooper?” Jen protested.
“I was the one who did dumb things, not him.”
“That doesn’t mean you deserve to die Trooper.”
“I have dreams, bad dreams,” he typed.
“Tell me,” Jen urged.
Trooper’s dreams are hauntingly described by Syd Straaf’s poem: Nightmare Thing
The Nightmare
Thing is chasing me again.
It wants my soul.
It wants to devour my being.
I know the beast well,
and it knows me.
My sins are its blood;
my fear, its oxygen.
I run and run, but my steps are sluggish,
as if I was running through snow or mud.
The beast is nearing,
I can feel its hot breath on my back,
I can hear its sinister chuckle as it thinks of my fate.
Each night, its claws grip my shoulders
and I feel its teeth upon my neck.
But each night, I am pulled from its grasp,
I am wakened by my own pounding heart.
The Nightmare Thing is chasing me again,
but this night, I will not let it win.
I know now what I must do.
I cannot keep running,
I must not awaken to my own screams again.
Tonight I shall face the beast,
tonight I shall conquer my fears.
I feel it, almost upon me,
and I turn.
For the first time, I see the Nightmare Thing,
the sum of all my hatred,
my fears, my regrets.
It is me,
my dark side, my shadow, my anger.
Such a black and wretched demon is my dream.
Its eyes burn mine.
Its vile breath suffocates me.
It licks its grotesque lips
and I can taste its poison saliva.
It wants me dead
and I am almost tempted to let it have its way.
But to die by this beast's hand
would be to desecrate my own true dreams.
Worse yet would be to awaken now,
freed tonight, but damned to a life without peace.
I stand fast.
I know I must act now or die.
Without fear, with no doubts,
I extend my hand, not clenched, not shaking,
a gesture of acceptance, a handshake, no more.
My quiet smile smothers the beast,
and the Nightmare Thing,
the demon of my soul,
the reflection of my blackest heart,
is banished from my dreams
forever.
“I don’t know what to think,” he finished. “I just miss him so much.”
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